Currently, Sweden is a society marked by growing anti-immigrant sentiments and residential stigmatization. As a result, the symbolic and soc
Currently, Sweden is a society marked by growing anti-immigrant sentiments and residential stigmatization. As a result, the symbolic and social gaps between in-groups and out-groups are widening. Consequently, interactions that could foster empathy and solidarity across differences have become increasingly fragile. However, artistic initiatives that counter anti-civil forces are emerging. This article focuses on theater and social inclusion by examining three interconnected elements: meaning, communication, and social change—and how they can serve as a form of civil resilience through critical reflection and recognition processes. Thus, we illuminate how theater can become a venue for social inclusion for a young, ethnically diverse audience by activating symbolic structures of meaning and emotions that recognize the inequalities present within marginalized groups and their experiences. This is achieved by investigating the professional and dramaturgical strategies employed by an artistic team establishing a new theater in a stigmatized neighborhood north of Stockholm and their efforts toward social cohesion. The analysis identifies dramaturgical strategies involving emotions, authenticity, and bodies, along with other professional strategies that work transformatively within the theater and the community, resulting in theatrical communication that allows for psycho-social identification for the audience and critical self-analysis for theater professionals, thereby holding potential for civil resilience.
